简介：Cara is the alluring patient of engaged therapist Eric. She seeks counseling for her fetish of sleeping with taken men. But instead of addressing it, they find themselves starting a secret affair they just can't seem to stop.
简介：어느 날 우리 집을 찾아온 불청객?! 유기견 ‘해피’의 귀염뽀짝 가족 침투기! ‘미연’은 우연히 찾은 유기견 센터에서 만난 강아지 ‘해피’가 과거 자신과 인연이 있었음을 알고 입양을 결정한다. 그러나, 오랜 병치레로 까칠해진 엄마와 그런 엄마 곁에서 지쳐버린 ‘미연’의 틀어져 버린 관계 속 새 식구 ‘해피’를 데려온 것이 후회스러워지고 마는데… 모두가 행복해지는 주문 <해피 해피> 멀어진 가족과 새로운 가족, 우리는 과연, ‘해피’한 한 가족이 될 수 있을까?
简介：Vivamax crushes Robb Guinto and Armina Alegre star in this titillating romance drama about a married couple having troubles in bed, finding their sexual satisfaction outside their marriage.
简介：又一部聚焦曼森杀人案的电影来了，希拉里·达芙将主演《难以忘怀的莎朗·塔特》(The Haunting of Sharon Tate)，饰演莎朗·塔特。1969年8月9日，时为导演罗曼·波兰斯基妻子的塔特和4位朋友在比弗利山庄的豪宅中被杀人狂查尔斯·曼森和追随者残忍杀死，距离她分娩仅剩2周。塔特被捅了16刀，凶手用她的血在家门口写下了“猪”的字样。
简介：Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.